“New Exhibit at Brown University Features Art Made Behind Bars” Rhode Island Monthly, 1 November 2022
“Twelve Fall Exhibitions to Check Out in Boston and Beyond” Boston Art Review, October 17, 2022
“Twelve Fall Exhibitions to Check Out in Boston and Beyond” Boston Art Review, 17 October 2022
“At Brown, ‘Marking Time’ provides window into prison industrial complex” The Boston Globe, 11 October 2022
“From Prison to the Art Gallery,” New York Times, 22 September 2022
“‘Marking Time: Art in the Age of Mass Incarceration’ comes to campus,” The Brown Daily Herald, 19 September 2022
“NYU Receives $1M Grant from the Mellon Foundation for Prison Art Initiative” NYU Steinhardt, 26 July 2022
“While the U.S. Celebrates the End of Slavery on Juneteenth, Incarcerated Artists Depict the Harsh Reality That Forced Labor Persists in Prison,” Art News, 19 June 2022
“Curator Nicole Fleetwood Promotes Abolition Through Art”, W Magazine, 22 April 2022
“Marking Time Opening Panel at the National Underground Railroad Freedom Center,” National Underground Railroad Freedom Center, 21 April 2022
“A Conversation with Dr. Nicole Fleetwood, Episode 98,” Cerebral Women, 16 March 2022
“Art in the Age of Mass Incarceration, Part One,” WFHB, 20 August 2021
“Invisible Ink” Artforum, James Hough talks to Nicole R. Fleetwood about drawing and desire in the carceral system, 10 May 2021
“Nicole R. Fleetwood Wins National Book Critics Circle Award for ‘Marking Time: Art in the Age of Mass Incarceration,’” Culture Type, 4 April 2021
“In My Own Words”: A Conversation with Ojore Lutalo and Bonnie Kerness” MOMA, 1 April 2021
“Marking Time: Art in the Age of Mass Incarceration” WNYC, 31 March 2021
“Exhibits convey incarcerated artists’ spirit: ‘No matter what I did … there’s beauty inside me’” Datebook, 18 March 2021
“Marking Time: Art in the Age of Mass Incarceration,” Brooklyn Rail, March 2021
“College Art Association 2021 Awards Honor Samella Lewis, Deborah Willis, Nicole R. Fleetwood, Simone Leigh, Charles L. Davis II, and Maren Hassinger,” Culture Type, 23 Feb 2021
“What an Abolitionist Exhibition Looks Like in a Carceral World,” Frieze, 11 February 2021
“ANNOUNCING THE 2021 AWARDS FOR DISTINCTION RECIPIENTS” College Arts Association News Today, 10 February 2021
“Inside the Deserted Louvre, Art by Incarcerated Artists, a Reattributed Rembrandt, and More: Morning Links from January 27, 2021,” ArtNews, 27 January 2021
“The Best Art Books of 2020,” ARTnews, 16 December 2020
“The Most Important Moments in Art in 2020,” The New York Times, 4 December 2020
“Smithsonian Scholars Pick Their Favorite Books of 2020,” by Beth Py-Lieberman, Smithsonian Magazine, 3 December 2020
“What was the Best Art Book You Read in 2020? The Art World Biggest Names Give Us Their Top Tips,” The Art Newspaper, 3 December 2020
“Best Art Books of 2020,” by Holland Cotter, The New York Times, 26 November 2020
Interview, NYC-ARTS Choice, WNET, 19 November 2020
“The Voices of Marking Time,” MoMA Magazine Podcast, 16 November 2020
“‘Marking Time’ and Making Art in Confinement,” by Andrew Limborg, Morning Edition, NPR, 28 October 2020
Exhibition review by Johanna Fateman, The New Yorker, 26 October 2020
“Making Art Against the Backdrop of Incarceration,” exhibition review, by Erica Cardwell, Hyperallergic, 21 October 2020
“The Approval Matrix,” New York Magazine, 12 October 2020
“From Marking Time: An Excerpt,” Hyperallergic, 11 October 2020
“Philly Artists Are in the Vanguard at MoMA Exhibit on Art in the Age of Mass Incarceration,” by Megan Voeller, The Philadelphia Inquirer, 10 October 2020
Exhibition review, by Aruna D’Souza, 4Columns, 9 October 2020
Critic’s Pick: “Making Art When ‘Lockdown’ Means Prison,” by Holland Cotter, The New York Times, 25 September 2020
Interview, All of It with Alison Stewart, WNYC, 25 September 2020
“Marking Time: Art from Behind Bars at MoMA PS1,” by Chandra Noyes, Art and Object, 22 September 2020
“MoMA PS1 Reopens with ‘Art in the Age of Mass Incarceration,'” by Cassidy George, The Cut, 21 September 2020
“Twenty-Five Shows to See Across the US as Museums Reopen,” by Sarah Cascone and Caroline Goldstein, Artnet News, 18 September 2020
“The Best Museum Exhibitions in NYC Right Now,” by Shaye Weaver and Collier Sutter, TimeOut New York, 18 September 2020
“Carceral Aesthetics,” Conversation with novelist Rachel Kushner, Artforum International, September 2020
“Project” with artists Tameca Cole, James Hough, Mark Loughney, and Jared Owens, Artforum International, September 2020
“Ronnie Goodman (1960-2020)”, Artforum International, 11 August 2020
“Racist Police Practices like Mug Shots Normalize the Criminalization of Black Americans,” NBC News THINK, 6 August 2020
“Incarcerated Artists Are Making Some of Today’s Most Important Art. A Powerful New Book Explains Why.” Conversation with author and artists in ARTnews, 8 July 2020
Author Q&A, The Black Agenda Report Book Forum, 1 July 2020
“How Visual Culture Is Implicated in Mass Incarceration,” book review by Jessica Lynne, The Nation, 25 June 2020
Author interview, PEN America, 23 June 2020
“Carceral Aesthetics: The Condition of Making Art in Prison,” book review by Jackie Wang, Art in America, 18 June 2020
“Hypothetics,” book review by Tiana Reid, The Poetry Project #261, Summer 2020
“When the Government Stops Counting,” Dissent Magazine, Summer 2020
Author interview, PRISM International Magazine, 16 June 2020
Author interview, The Modern Art Notes Podcast, 11 June 2020
Author interview, Another World is Podable, 8 June 2020
“With Museums Closed, Coffee-Table Books Bring the Art to You,” book review by Lauren Christensen, The New York Times Book Review, 22 May 2020
“‘Marking Time’: Documenting the Visual Arts in American Prisons,” book review by Patrick Conway, Arts Fuse, 22 May 2020
“Carceral Aesthetics,” book review by Daniel Fernandez, Los Angeles Review of Books, 28 April 2020
“Creation in Confinement,” excerpt in The New York Review of Books Daily, 28 April 2020
Author Q&A, Talk Story, 28 April 2020
